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Prior to the series starting, Disney made the first four episodes available to reviewers. Photograph: Disney+/Marvel StudiosĪnd so to episode three. If there is anything to be learned from Cersei and Dany and Sansa, it's that there is no way to forget-suffering cannot be erased.Going on a trip … Layla’s fake passport. They create the shape of the world to come. Blood and shame and loss are the spokes of the wheel, and the way they come into the world-through honor, through vengeance, through the brittle masculinity of the men who happen to rule-comes to define that realm.
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The history of House Lannister, of House Stark, of House Cersei, says something different. How does pain come in and how does it go out? Jaime Lannister says that when Cersei’s world is finally wrought, no one will care how it was built or whose blood it was built upon. I have been chained and betrayed, raped and defiled.” The refrain is similar-to Dany, to Cersei, to Sansa-because every woman in the Seven Kingdoms and beyond is subject to the same song.īlood and shame and loss are the spokes of the wheel, and the way they come into the world-through honor, through vengeance, through the brittle masculinity of the men who happen to rule-comes to define that realm. The speech that Dany gives in last night's episode is, tragically, almost identical to the one Cersei gave to Sansa when she explained what it meant to be a woman: “I have been sold like a brood mare. When do you crucify your enemies, and when do you forgive them? When do you receive the agonies of a world ruled by cruel, opportunistic men and decide to deal them back tenfold, and when do you decide to break the wheel?
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This is the lesson that Dany has struggled with for so long, the desire to take pain and deal it back in the same way. When do you receive the agonies of a world ruled by cruel, opportunistic men and decide to deal them back tenfold, and when do you decide to break the wheel? In Westeros, at least, this perversion of power, this disgrace to the throne, was contemptible enough that it ended a dynasty, and led to the civil war that unseated Daenerys’ father and exiled her across the sea. Notions about the rules of the world, the values that hold it in place, turn out to be disturbingly pliable in these moments, when kings and presidents wave their scepters both visible and invisible and turn fundamental beliefs about right and wrong on their heads.
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But it happened so many times before it happened, most notably when two other Starks died: Ned’s father burned alive in his armor by Aerys, his son strangling himself in a noose trying to reach for the sword that might free him.įive hundred honorable men stood and watched. It's easy to think of it now in terms of Ned Stark’s execution, the enormity of Joffrey's childish anger, shearing a sense of civility and honor from the world. There was a moment when everything turned. Instead, Cersei says what a certain type of person always says when the knife is finally in their hands: I choose violence. They receive damage, always, as women, in ways that can never be separated from their gender. Think about it as an exchange of energy: How does pain enter someone, and how does it leave them? How do they receive it, and how do they release it? In Cersei, as in Sansa Stark, our notions of trauma and sexism fundamentally intertwine. Like every story about war, Game of Thrones is centrally concerned with trauma. Finally, I can give my enemies exactly what they deserve. And now that it is happening to her most hated enemy, to the woman who killed her daughter, she has one thought above all others: finally. She has been spat upon, jeered at, made into an object of fun. She, too, has been paraded through the streets in humiliation.
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I may destroy you episode 3 recap movie#
“I understand the fury that drives you.” It’s that old saw that every movie has parroted for as long as anyone can remember: We’re not so different, you and I. “I want you to know I understand,” says Cersei Lannister to her nemesis in the dungeons underneath King’s Landing.